初次進入

First Entry

第一股力量進入畫面，一座拆掉外層腳手架後仍保留核心燈火的城市模型開始回應；關係或自我不再只是背景。

The first force enters the frame, and a city model stripped of its outer scaffolding yet still lit at its core begins to respond; the relationship—or the self—is no longer merely background.