初次進入

First Entry

第一股力量進入畫面，一面未經拋光的黃銅鏡與一株向外生長的野花開始回應；關係或自我不再只是背景。

The first force enters the frame, and an unpolished brass mirror beside a wildflower growing outward begins to respond; the relationship—or the self—is no longer merely background.