初次進入

First Entry

第一股力量進入畫面，一件舊外套緩慢合攏一把等了很久的空椅開始回應；關係或自我不再只是背景。

The first force enters the frame, and an old coat slowly closing around an empty chair that has waited a long time begins to respond; the relationship—or the self—is no longer merely background.