初次進入

First Entry

第一股力量進入畫面，一扇向花園完全敞開的百葉窗與會呼吸的日光開始回應；關係或自我不再只是背景。

The first force enters the frame, and blinds thrown fully open to a garden and daylight that seems to breathe begins to respond; the relationship—or the self—is no longer merely background.