初次進入

First Entry

第一股力量進入畫面，一座劇場裡同時轉動的候場燈、時鐘與未落下的彩紙開始回應；關係或自我不再只是背景。

The first force enters the frame, and a theatre where a standby light, a clock and unfallen confetti all turn at once begins to respond; the relationship—or the self—is no longer merely background.