初次進入

First Entry

第一股力量進入畫面，一座空月臺上的破損羅盤，指針仍朝向離去的軌道開始回應；關係或自我不再只是背景。

The first force enters the frame, and a damaged compass on an empty platform, its needle still pointing towards the departing track begins to respond; the relationship—or the self—is no longer merely background.