初次進入

First Entry

第一股力量進入畫面，一隻修補過的木製羅盤在舊窗光裡重新指向開始回應；關係或自我不再只是背景。

The first force enters the frame, and a repaired wooden compass finding its bearing again in the light of an old window begins to respond; the relationship—or the self—is no longer merely background.